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(c) Peinture originale : Anne Peultier

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Amandine Beyer makes a hit

L'événement Amandine Beyer

Michael Talbot Vivaldi most eminent specialist : We do get the Four Seasons but excellently performed and I would stick my neck out and say I have never heard one that satisfied me better. BBC3 Radio This new release of the Four Seasons is an event ; the interpretation every music lover should possess now. Classiquenews Amandine Beyer triumphs by her natural and style - 10 R Classica Amandine Beyer regenerates Vivaldi : The violonist imposes respect - Franck Mallet You just have to close your eyes to see. Her control is never demonstrating but convinces by her generosity and intelligence - Choc Monde de la musique Awarded for her Rebel record, the "virtuosissima" is at stake with Carmignola for the sound, tune, fantasy, energy. Roger Claude Travers

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Collection Printemps des Arts de Monte-Carlo, (...)

Collection Printemps des Arts de Monte-Carlo Tombeau pour Mr de Ste Colombe et autres portraits... Rameau, Marais, de Visée, Sainte-Colombe, Forqueray Marianne Muller & l’ensemble Spirale

‘In our new programme we have the pleasure of presenting a group of French musicians who throughout the seventeenth and eighteenth centuries painted each other’s portraits, or their self-portraits, generally with considerable wit.


Forqueray
envoyé par vincenthure

‘We know that they frequented each other, and many of them are described in works bearing their names, or in tributes such as tombeaux. ‘Thus Rameau, in his Pièces de clavecin en concerts, made fun of himself, and then offered his personal vision of Marin Marais and Forqueray. ‘Forqueray, for his part, depicts himself with a tone of authority that we recognise from his music. After this, in a lighter vein, he has fun imagining how to describe Leclair or Couperin. Marais, assuming an official air with son Tombeau pour Mr de Lulli, renders a magnificent homage to this dominant personality of his time; yet he also relates with intense inwardness how music was transmitted to him by his master Sainte-Colombe and what kind of man the latter was.

‘For once, all these pieces do not form suites of dances, so typically French, but rather a sort of guided tour through a teeming variety of timbres, thanks to instruments as different as the guitar, the harpsichord and the theorbo, which with the second bass viol make up a rich continuo group, light when necessary, lively and colourful. ‘We offer you here a tour of a genuine little “museum of sonorities”, which we visit with both great respect and smiles of complicity at the inventive way in which all these great musicians contrived to describe each other.’ Marianne Muller

A great review on bbc

Sortie 29 mars 2008

Concert le 4 avril à Monte-Carlo dans le cadre du Printemps des Arts de Monte-Carlo.

AVRIL: § 22 : " Le Concert d’Astrée ", Dunkerque. § 23 : " Le Concert d’Astrée ", à l’opéra de Lille, à 18 h. § 29: à Gap, concert en trio de violes, avec Liam Fennelly et Martin Bauer/ Musique

MAI: § 24 et 25 : Concert du même programme Ruffo, trio de violes,musée Carnavalet, à 15 h.

JUIN: § 4 et 5: concert avec Violaine Cochard, clavecin et Stéphanie-Marie de Gand, violon. Buxtehude et Bach, à Lille. § 20 et 21: trio de violes à la Courroie (Avignon )

JUILLET: ? § 24: à Royan. trio de violes: Liam Fennelly et Martin Bauer.

AOÛT: § 3: " Louie des jardins". à la Chabotterie, festival d’Hugo Reyne. Avec Catherine Thérouenne, comédienne, 3 musiciens. § 12: concert Ganassi, dans le Jura § 27: "Quelques pas dans le temps ": académie de Sablé. Renaissance italienne à Bach, en passant par la danse. SEPTEMBRE: § 28: avec l’ ensemble William Byrd. Purcell Motets, Anthems à Souvigny.à 17 h. OCTOBRE: § 12: Versailles, ensemble Spirale élargie... pour des airs de cours.

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