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Amandine Beyer makes a hit

L'événement Amandine Beyer

Michael Talbot Vivaldi most eminent specialist : We do get the Four Seasons but excellently performed and I would stick my neck out and say I have never heard one that satisfied me better. BBC3 Radio This new release of the Four Seasons is an event ; the interpretation every music lover should possess now. Classiquenews Amandine Beyer triumphs by her natural and style - 10 R Classica Amandine Beyer regenerates Vivaldi : The violonist imposes respect - Franck Mallet You just have to close your eyes to see. Her control is never demonstrating but convinces by her generosity and intelligence - Choc Monde de la musique Awarded for her Rebel record, the "virtuosissima" is at stake with Carmignola for the sound, tune, fantasy, energy. Roger Claude Travers

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BACH-COLTRANE; A recording off the beaten (...)

BACH - COLTRANE : Raphaël Imbert - Manfred Quartet - André Rossi, organ A recording off the beaten track: between jazz, a classical quartet and a Baroque organ.

A recording of overwhelming emotional power: the power of Bach combined with the great themes of Coltrane. The resulting sonorities are literally unheard-of:classical sound plus the mix of a pop album

The project of the Brotherhood Consort lies at the heart of this encounter between Bach and Coltrane, between Raphaël Imbert and the classical musicians of the Manfred Quartet, and with the exceptional participation of the countertenor Gérard Lesne.

Raphaël Imbert - who already attracted attention with his Suite élégiaque in 2006 - here sets out to demonstrate the spiritual and musical ties between Bach and Coltrane by following the thread of the Lutheran liturgy that links the Kantor’s music, the Negro spiritual, and certain themes written by Coltrane (Crescent, Reverend King, and others).

The Bach pieces are performed by the Manfred Quartet and the organist André Rossi, and give rise to collective improvisations led by Raphaël Imbert on saxophone, Jean-Luc Difraya on voice and percussions, and Michel Peres on double bass. Conversely, the Coltrane themes are presented by the jazzmen and lead to a musical dialogue with the Manfred Quartet. Gérard Lesne - a countertenor deeply committed to jazz - sings the opening aria from Cantata BWV 170, Vergnügte Ruh.

This recording is the culmination of a research project on the sacred element in jazz undertaken by Raphaël Imbert in New York, with the support of a ‘Villa Médicis Hors les Murs’ award.

Raphaël Imbert will present this programme in Paris on 9 February 2008, in the framework of the concert series on ‘sacred and profane’ at the Cité de la Musique, and again on 26 April at the Théâtre Musical du Châtelet.

Release date: 25 January 2008

This recording obtained the support of the ADAMI, the SPPF, and the town council of Bouc Bel Air (13).

Concerts of Raphael Imbert

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